16.5 Art and Literature Portfolio

Learning Objectives

1. Collate and compare two (or more) artists’ representations of a theme (e.g. identity, family, belonging, peace, war, romance, nature, etc.) and analyze the way each artist presents the theme. The artists can come from different time periods and cultures. Be sure to consider some of the following dimensions of art that include the theme and subject matter of the art work, the medium (e.g. acrylic painting, water colour, sculpture, photography, etc.), line, form, colour, and so on. To  learn more about writing about art, please refer to this helpful illustrated guide from Harvard University (Department of Art History) guide on writing about art here.

2. Create an art essay that describes and illustrates a well- known myth, folk tale, or fairy tale. Focus on the way different artists (different time periods) depict the mythic characters and their journeys. How do their styles compare?  You can also focus on creating an art essay that describes a character’s mythic journey (Ulysses, Perseus, Circe, Penelope, Sir Galahad, etc.). There are further examples of Celtic myths in the next section.

 

A man removing his footwear before three women who hold the rest of his armour in a desert-like landscape
Edward Burne-Jones (1833-1898), Perseus and the Sea Nymphs (The Arming of Perseus), 1877. Southampton City Art Gallery, Southampton, United Kingdom. “https://www.staatsgalerie.de/en/g/collection/digital-collection/einzelansicht//werk/einzelansicht/2D67144941583D35C87733B2CB5B4944.html” by Staatsgalerie is licensed under CC0 1.0.

 

A woman in a desert standing before a group of five dogs seemingly fearful of her presence
Briton Riviere (1840-1920), Pallas Athena and the Herdsman’s Dogs, 1876. The Metropolitan Museum of Art, New York City, New York, United States.
Courtesy: Gift of Richard Manney, 1980. “https://www.metmuseum.org/art/collection/search/437467” is licensed under CC0 1.0.

 

A sideview of a woman on her knees peeking into a box in a forested wetland
John William Waterhouse (1849-1917), Pandora, 1896. Private Collection. “https://commons.wikimedia.org/w/index.php?curid=4843019” by JWWaterhouse is licensed under Public Domain Mark 1.0.

 

An abstract mythical creature with one eye towering above a landscape as a nude woman lays surrounded by foliage in the foreground
Odilon Redon (1840-1916), The Cyclops, c. 1914. Kröller-Müller Museum, Otterlo, The Netherlands. “https://krollermuller.nl/en/odilon-redon-the-cyclops-1” by Kröller-Müller Museum is licensed under CC0 1.0.

 

A young woman sits with her arms in her lap while a large drove of pigs look upwards at her.
Breton Rivière (1840-1920), Circe and Her Swine, 1896. Private Collection. “https://commons.wikimedia.org/w/index.php?curid=63214840” by Wikimedia is licensed under Public Domain Mark 1.0.

 

A man unsheathing his sword before a seated woman holding a glass of wine as other figures behind her take fright
Giovanni Andrea Sirani (1610-1670), Ulysses and Circe, c. 1650-1655. Capitoline Museums, Rome, Italy. “https://artsandculture.google.com/asset/wd/dAGoUmw4V5verA” by Capitoline Museums is licensed under CC0 1.0.

 

A large ship transports a variety of humans and birdlike creatures in rough waters.
John William Waterhouse (1849-1917), Ulysses and the Sirens, 1891, National Gallery of Victoria, Melbourne, Australia. “https://www.ngv.vic.gov.au/explore/collection/work/4457/” by National Gallery of Victoria is licensed under CC0 1.0.

 

Three women seated on rocks by the shore in the foreground with seafarers aboard a ship passing by in the background
Alexander Bruckmann (1806-1852), Ulysses and the Sirens, 1829. Staatsgalerie Stuttgart, Stuttgart, Germany. “https://commons.wikimedia.org/wiki/File:Alexander_Bruckmann_Odysseus_und_die_Sirenen_1829.jpg” by Staatsgalerie Stuttgart is licensed under CC0 1.0.

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